Bridging Cultures. Transnational Cultural Encounters in the Reception of The Bridge

Publikation: Bidrag til bog/antologi/rapportBidrag til bog/antologiForskningfagfællebedømt

Standard

Bridging Cultures. Transnational Cultural Encounters in the Reception of The Bridge. / Bondebjerg, Ib.

Danish Television Drama: Global Lessons from a Small Nation. red. / Anne Marit Waade; Pia Majbritt Jensen. Palgrave Macmillan, 2020. s. 209-230 (Palgrave European Film and Media Studies).

Publikation: Bidrag til bog/antologi/rapportBidrag til bog/antologiForskningfagfællebedømt

Harvard

Bondebjerg, I 2020, Bridging Cultures. Transnational Cultural Encounters in the Reception of The Bridge. i AM Waade & PM Jensen (red), Danish Television Drama: Global Lessons from a Small Nation. Palgrave Macmillan, Palgrave European Film and Media Studies, s. 209-230.

APA

Bondebjerg, I. (2020). Bridging Cultures. Transnational Cultural Encounters in the Reception of The Bridge. I A. M. Waade, & P. M. Jensen (red.), Danish Television Drama: Global Lessons from a Small Nation (s. 209-230). Palgrave Macmillan. Palgrave European Film and Media Studies

Vancouver

Bondebjerg I. Bridging Cultures. Transnational Cultural Encounters in the Reception of The Bridge. I Waade AM, Jensen PM, red., Danish Television Drama: Global Lessons from a Small Nation. Palgrave Macmillan. 2020. s. 209-230. (Palgrave European Film and Media Studies).

Author

Bondebjerg, Ib. / Bridging Cultures. Transnational Cultural Encounters in the Reception of The Bridge. Danish Television Drama: Global Lessons from a Small Nation. red. / Anne Marit Waade ; Pia Majbritt Jensen. Palgrave Macmillan, 2020. s. 209-230 (Palgrave European Film and Media Studies).

Bibtex

@inbook{9d0104b6ada34d389f9b407534f7d216,
title = "Bridging Cultures. Transnational Cultural Encounters in the Reception of The Bridge",
abstract = "This article deals with cultural encounters as a creative dimension of co-production with the Swedish-Danish series The Bridge as example. Focus is on reception in Denmark, Sweden and UK), on audiences and demographics, and cultural negotiations and discourses of reception in newspapers and social media in the different national contexts. Reception of the series shows a fascination with Nordic Noir as a genre, and the transnational cultural encounters with the series also involve social, political and cultural themes and exchange of different norms and life styles. Such transnational mediated encounters relate to universal dimensions of stories, but also initiate a cultural encounter between ‘us and them’. Cultural encounters are important, since they can help people understand each other in a deeper way, and enhance global diversity.",
keywords = "Faculty of Humanities, TV drama, Scandinavia, Crime, TV SERIES, Co-production, Reception Studies, MEDIATED CULTURAL ENCUNTERS, TRANSNATIONAL TV",
author = "Ib Bondebjerg",
year = "2020",
month = "8",
day = "7",
language = "English",
isbn = "978-3-030-40797-1",
series = "Palgrave European Film and Media Studies",
publisher = "Palgrave Macmillan",
pages = "209--230",
editor = "Waade, {Anne Marit} and Jensen, {Pia Majbritt }",
booktitle = "Danish Television Drama",
address = "United Kingdom",

}

RIS

TY - CHAP

T1 - Bridging Cultures. Transnational Cultural Encounters in the Reception of The Bridge

AU - Bondebjerg, Ib

PY - 2020/8/7

Y1 - 2020/8/7

N2 - This article deals with cultural encounters as a creative dimension of co-production with the Swedish-Danish series The Bridge as example. Focus is on reception in Denmark, Sweden and UK), on audiences and demographics, and cultural negotiations and discourses of reception in newspapers and social media in the different national contexts. Reception of the series shows a fascination with Nordic Noir as a genre, and the transnational cultural encounters with the series also involve social, political and cultural themes and exchange of different norms and life styles. Such transnational mediated encounters relate to universal dimensions of stories, but also initiate a cultural encounter between ‘us and them’. Cultural encounters are important, since they can help people understand each other in a deeper way, and enhance global diversity.

AB - This article deals with cultural encounters as a creative dimension of co-production with the Swedish-Danish series The Bridge as example. Focus is on reception in Denmark, Sweden and UK), on audiences and demographics, and cultural negotiations and discourses of reception in newspapers and social media in the different national contexts. Reception of the series shows a fascination with Nordic Noir as a genre, and the transnational cultural encounters with the series also involve social, political and cultural themes and exchange of different norms and life styles. Such transnational mediated encounters relate to universal dimensions of stories, but also initiate a cultural encounter between ‘us and them’. Cultural encounters are important, since they can help people understand each other in a deeper way, and enhance global diversity.

KW - Faculty of Humanities

KW - TV drama

KW - Scandinavia

KW - Crime

KW - TV SERIES

KW - Co-production

KW - Reception Studies

KW - MEDIATED CULTURAL ENCUNTERS

KW - TRANSNATIONAL TV

M3 - Book chapter

SN - 978-3-030-40797-1

T3 - Palgrave European Film and Media Studies

SP - 209

EP - 230

BT - Danish Television Drama

A2 - Waade, Anne Marit

A2 - Jensen, Pia Majbritt

PB - Palgrave Macmillan

ER -

ID: 158659019